The above image shows how the scale of the bridge is emphasised by the boat going under the bridge. We all perceive the size of the boat which allow us to comprehend the bridge. Using a smaller focal length nearer to the bridge would distort and reduce the size and give a false perspective, however, that is possibly what we would more relate to with the more common focal lengths.

This principle is something that I feel is often overlooked, or often forgotten. I know that I am guilty of this. Remember all the features of the lens that you use.

Feininger’s principle lens, which he discusses, is 40″ which would work out just over 1000mm which is certainly not typical for landscape photography, Maybe more at home with wildlife or sports.

The landscape images stand out not because they are of new things or locations but because he has moved away repetitive images of things we have all seen.

Feininger also utilises the long focal lengths in the creation of more abstract art in the miniature utilising shells and other small objects, again showing that a long lens can be used for more than one application.

I take from this the reminder that we have the tools and remember to use them to their most.

Images

Figure 1 Andreas Feininger https://www.artsy.net/artwork/andreas-feininger-brooklyn-bridge-in-fog-1

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Anthony has a strong portfolio where a great deal of trust and acceptance has been gained to embed with the individuals in his project. I feel that many of the projects have boundaries that start to cross blending into more of a major project with chapters.

God’s country reminds me of Sally Manns work with her family however this work is harsh and abrupt.

At present, I don’t feel that this is work that can directly inform current work but I feel that the work stands strong enough to make notes for future reference.

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